Wedding Playlist?

I have no idea if I'm going to be able to figure out how to post this. I didn't think I'd get the chance because my 5-year-old "classic" iPod seemed to have bitten the dust, but yesterday I accidentally turned it on and it worked! Which means I have my playlists back: the punk rock St. Patty's Day mix, both Xmas lists (clean and NSFW), and the wedding list, which may be most important because it would be the hardest to recreate from memory since I didn't have as much time with it.
So I made a spreadsheet of the titles and artists. The question is how to post it here. Let's give it a whirl, shall we?

Song	Artist
It Must Be Love	Madness
Headstart for Happiness	Style Council
Let My Love Open the Door	Pete Townshend
"Ironside (Excerpt)"	Quincy Jones
Take Five	The Specials
Near Wild Heaven	REM
Incredible	Dramarama
Bus Stop	The Hollies
I'm Telling You Now	Freddie & the Dreamers
Love My Way	The Psychedelic Furs
Baby It's You	Elvis Costello & Nick Lowe
Whenever You're On My Mind	Marshall Crenshaw
Big Me	Foo Fighters
Into Your Arms	The Lemonheads
The Greatest Thing	Elvis Costello & The Attractions
Here, There, and Everywhere	The Beatles
Then She Appeared	XTC
These Are Days	10,000 Maniacs
Human Hands	Elvis Costello & The Attractions
Getting Married	Sam Phillips cue from Gilmore Girls
ALL	Descendents
Fool	All
Red Sweater	The Aquabats
All Mine	Dance Hall Crashers
House of Fun	Madness
Here In Your Bedroom	Goldfinger
Free Yourself	The Untouchables
He Was Really Sayin' Something	Bananarama
Birdhouse in Your Soul	They Might Be Giants
Good Good Things	Descendents
Everything is Alright	Motion City Soundtrack
Happy Together	The Jam
(Nothing But) Flowers	Talking Heads
Absolute Beginners	The Jam
Right	All
They Don't Know	Kirsty MacColl
You Really Got Me	The Kinks
Take Me I'm Yours	Squeeze
Just Can't Get Enough	Depeche Mode
I Bet You Look Good on the Dancefloor	Arctic Monkeys
Too Nice To Talk To	The (English) Beat
You Spin Me Round (Like a Record)	Dead or Alive
Girl U Want	DEVO
Can't Get Enough of You Baby	Goldfinger
Non-Stop Dancing	The Jam
Concrete & Clay	Unit 4 + 2
Beat Surrender	The Jam
One Line	PJ Harvey
Blue Jean	David Bowie
Baby Now That I've Found You	The Foundations
Don't Stop Me Now	Queen
Everywhere At Once	The Plimsouls
He Could Be the One	Josie Cotton
Pure and Easy	Pete Townshend
Everlong	Foo Fighters
Hounds of Love	The Futureheads
Eaten by the Monster of Love	Sparks
My Ever Changing Moods	Style Council
Everyday I Write the Book	Elvis Costello & The Attractions
Vida Blue	All
Wings of a Dove	Madness
The Safety Dance	Men Without Hats
Dreaming	Blondie
Race of Doom	DEVO
Nobody But Me	The Dickies
Rocket from a Bottle	XTC
Diggin' Your Scene	Goldfinger
I Am	Suggs
What I Like About You	The Romantics
Love You More	The Buzzcocks
The Love Cats	The Cure
Message of Love	The Pretenders
Mayor of Simpleton	XTC
Have Love Will Travel	The Sonics
Electric Avenue	Eddy Grant
Ever Blazin'	Sean Paul
Just Like Heaven	Goldfinger
Kiss on my List	Hall & Oates
Lovestruck	Madness
Clear Spot	Pernice Brothers
Waterloo Sunset	The Kinks
True Believer	Superdrag
Next to You	The Police
Turn to You	The Go-Gos
I'm Gonna Love You Too	Blondie
Never Stop (Discotheque)	Echo & the Bunnymen
Wuthering Heights	White Flag
Twilight Time	The Platters
You Make My Dreams	Hall & Oates
Silly Girl	Descendents
Hold Me	Fleetwood Mac
Round & Round	Paul Weller
Into the Mystic	Van Morrison
I Scare Myself	Thomas Dolby
B-A-B-Y	Rachel Sweet
We're the Replacements	They Might Be Giants
Lucky Number	Lene Lovich
Girls Like Me	Bonnie Hayes
Rio	Duran Duran
You Make Me	Weird Al Yankovic
Could it be I'm Falling in Love	The Spinners
True	Cary Brothers
It's Tricky	Run DMC
Hungry Like the Wolf	Reel Big Fish

Did it work?

Irish Times review of "Norton Folgate"

This is my reaction to a review of the new Madness album. Raise your hand if you've stopped reading this already.
First, here's the review.
Yes, they love it. And I really really like it. So what's the problem? I don't think they really understand the band.
One quote that annoyed me was this:
"With their trademark ska sound and quirky humour replaced by a theatrical music-hall feel and lyrics that require a reference book in order to decipher them"
Yes, they've always exhibited "quirky humour," but that "theatrical music-hall feel" was there almost from the beginning, prevalent in 1980's Absolutely, their second album, and it seems to me as much a part of their "trademark sound" as two-tone ska.
The other irksome thing is the "top five Madness moments." Choosing "Sugar and Spice" over such landmarks as Madstock '92 and albums like "Seven" is taking living in the moment too far. I hope it gets people to support the new single, but come on people! Srsly?
I think the problem is actually that Madness were too popular in the UK in the 80s. It makes them seem cheesy over there. Instead of going "Who?" when they hear Madness invoked, Brits tend to go, "Ugh. We're too cool for that shit now. We have to listen to whiny weasels who sound like chalk on a blackboard." At least that's my perception. So all the reviews of this album are just pleas to take the band seriously. But to my mind they were always to be taken seriously. Maybe it's because their darker sensibilities were sort of snuck in under the peppy music. Now I'm not the first to say this, but ska/reggae has always done that anyway; listen to the lyrics of any of those songs and any humor you find is as dark as it gets. Just because Madness weren't as obviously "political" or "subversive" as the Specials doesn't mean they were just a bunch of silly gits.
This is one rambling mess. Anyone who's read this far has certainly gotten my point by now. I'll shut up.

Here's my first post

I had pretty much stopped using my old WordPress blog because tweeting and facebooking were taking up all my time. But when I found myself wanting to rant a little about a review of the new Madness album, I realized no one over on Facebook gives a shit. I guess no one will anyway, but now I have a blog for people to ignore. Yay!!